LATEST ADDITIONS

Jason Victor Serinus, Stephen Francis Vasta  |  Dec 31, 2020  |  5 comments
Jakob Bangsø: Corigliano, Caravassilis, Siegel: Guitar Concertos, Beethoven: Christus am Ölberge, Sir John Tavener: No Longer Mourn for Me and Tchaikovsky: Swan Lake (excerpts).
Larry Birnbaum, Thomas Conrad, Fred Kaplan  |  Dec 31, 2020  |  2 comments
Fred Hersch: Songs from Home, Horace Silver Quintet: Further Explorations, Juliet Kurtzman/Pete Malinverni: Candlelight: Love in the Time of Cholera and Matthew Shipp Trio: The Unidentifiable.
Tom Fine, Anne E. Johnson, Kurt Gottschalk  |  Dec 31, 2020  |  2 comments
Beabadoobee: Fake It Flowers, Adrianne Lenker: Songs and Instrumentals, Prince: Sign "o'" the Times (Super Deluxe Edition) and The Rolling Stones: Goats Head Soup 2020 (Deluxe Reissue) .
Larry Greenhill  |  Dec 30, 2020  |  37 comments
Recently, I received an email from Editor Jim Austin. "Larry, do you still use your Day Sequerra FM Reference tuner1 to listen to FM radio?" he asked.

"Jim, yes, I still listen to FM classical music in the Bay area. Why?"

Robert Schryer  |  Dec 29, 2020  |  69 comments
When I first heard the word "audiophile," I loved it. It sounded fresh and dignified. I related to it instantly. An audiophile! I loved the whole idea of it, the focus on music, on sound. That was me! I'd found myself! And people like me. Other audiophiles, who lived all over the world. To paraphrase Tom Petty, it was like a first flash of freedom.
Herb Reichert  |  Dec 28, 2020  |  28 comments
Someone once asked me, "If I buy your $90,000, 25W amplifier, what will I get that I am not getting with my $2000, 200W amplifier?" My answer was simple: "Goosebumps, tears, and smirking." Great, well-tuned audio systems, at all price levels, give their owners less of the annoying and distracting stuff and more of the exciting and engaging stuff. Great systems offer more opportunities for smirking pridefully while listening to great recordings.
Ken Micallef  |  Dec 24, 2020  |  13 comments
During my tenure as a Stereophile writer, I've reviewed a lot of integrated amplifiers. The mostly moderately priced integrated machines I've reviewed have included the Heed Audio Elixir ($1195), Luxman SQ-N150 ($2795) and L-509X ($9495), NAD C 328 Hybrid Digital ($549), Octave Audio V 80 SE ($10,500), Rega Brio ($995), and Schiit Ragnarok 2 ($1799 as equipped). Regardless of price, all these integrated amplifiers engaged my senses and made engaging, dynamic, colorful music from LP grooves and ones and zeros.
Michael Fremer  |  Dec 23, 2020  |  5 comments
Talk about a Scarlet Letter. The term class-D amplification, which describes PS Audio's new M1200 monoblocks, exists only because another amplifier innovation had already parked in the "C" space. Soon after appearing in high-performance audio gear, class-D became synonymous with "digital amplification" in part because, like early CDs, many listeners found the sound glary, hard, and unpleasant. Besides, class-D is related to "pulse width modulation" and requires a low-pass filter to block high-frequency pulses—that sure sounds digital. But they're not (see Bruno Putzeys sidebar).
Julie Mullins  |  Dec 22, 2020  |  14 comments
I'm a sucker for materials, whether it's finishes for loudspeakers and other audio equipment, a shoe's fine, supple leather, a crisp cotton shirt, or a cozy cashmere scarf.

Apart from their inherent sensuousness, materials can make a difference in the sonics of audio components, especially loudspeakers.

Michael Fremer  |  Dec 21, 2020  |  37 comments
Cavitation revolutionized record cleaning more than a decade ago, when Reiner Gläss's Audiodesksysteme introduced its original fully automatic machine. Mr. Gläss's innovative machine, which automatically spun the record in ultrasonically cavitated water, then dried it with fans, at first was plagued with reliability issues, and because it is sealed, it was not easy to repair.

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