Art Dudley

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Art Dudley  |  Oct 12, 2003  |  0 comments
Dating was murder, especially in the months just before I met my wife. I knew some nice women back then, many of whom were good-hearted and others of whom were beautiful. One was both, and talented, too: She gave me presents for no reason and wrote tender things in cards with pictures of sweet meadows or the sea: My love goes on and on, they said. But for whatever reason, I just couldn't love her back, and Oh! how the shit hit the fan the day I told her so. I meant it as a respectful act of honesty and forthrightness; she took it as a cowardly act of rejection, and responded in a manner that would forever remind me of Maggie bouncing the rolling pin off Jiggs's head while calling him an insect. That day, I learned two things: 1) women are unlearnable; and, 2) honesty, while an unassailably good thing in and of itself, makes a poor tool, mostly because it lacks a safety handle.
Art Dudley  |  Sep 21, 2003  |  0 comments
In the town where I grew up there were two places to buy records: a family-owned department store and the local Woolworth's, both long gone. The first record I ever bought, the 45rpm single of Roger Miller's "King of the Road," came from the former in 1965. I was 11 years old.
Art Dudley  |  Aug 17, 2003  |  0 comments
Hurt not the earth, neither the sea nor trees...—Revelation 7:3
Art Dudley  |  Jul 20, 2003  |  0 comments
In my column for Stereophile's March issue, I criticized a handful of records for combining very good sound with very bad music. A few readers expressed dismay, wondering what gave me the right to call music good or bad, especially since virtually all music is loved by someone (its mother?). But as far as I know, the magazine received a total of zero letters wondering what gave me the right to call sound good or bad. Hmmm.
Art Dudley  |  Jul 13, 2003  |  0 comments
Transistors can be made to sound like tubes, digital can be made to sound like analog, and cables can be made to sound like no cables. You'd almost think we live in an age of miracles.
Art Dudley  |  Jun 22, 2003  |  0 comments
I've spent six-odd years in a sort of hi-fi counterculture, playing with things like mono cartridges, one-box CD players, and cheap, homemade cables—and, of course, owning and listening to single-ended triode (SET) amplifiers and horn loudspeakers. But before all that, I owned components that, while more mainstream, did the job just as well in certain ways. That category included solid-state electronics (Naim, BEL, Spectral), dynamic loudspeakers of middling efficiency (ProAc, Epos, Magneplanar), electrostatic loudspeakers of very low efficiency (Stax), and even "high-end" accessories like Tiptoes and Shun Mook Mpingo discs (which I still have, although my five-year-old daughter has more or less permanently co-opted the latter for playtime use).
Art Dudley  |  Jun 04, 2003  |  0 comments
I'll spare you my thoughts on the matter—they're guessable anyway—and simply say that the war with Iraq has given me and my family the jitters, just as it seems to have done with millions of other people. But rather than giving 10 more dollars to Henkel Consumer Adhesives, my wife and I have taken a different tack: We made up a Road Box. A Road Box is a cardboard box full of things for us to take from our home if we have to leave in a hurry. We keep it near the door that leads to the garage.
Art Dudley  |  May 11, 2003  |  2 comments
Moderation, like a natural death, is what most thinking people roll toward, if only because extremism requires too much energy: Extreme points of view are hard to hold without a certain amount of self-delusion, and the brighter you are, the harder your self-deluder has to work.
Art Dudley  |  Apr 20, 2003  |  0 comments
The best tonearm I ever heard was a second-generation Mission Mechanic, ca 1986. It was mounted on a Roksan Xerxes turntable, and I spent several happy hours listening to records on that combination (with a low-compliance EMT cartridge) in two very different systems: one with solid-state amplification from DNM and Roksan's own dynamic Darius loudspeakers, and the other—my home system of the time—using tube amplification from Conrad-Johnson and a borrowed pair of Stax electrostatic speakers.
Art Dudley  |  Apr 13, 2003  |  0 comments
We were having trouble with the power in our home—the wall current, I mean, not the dynamics of our marriage—so I called the local utility. While the technician was here, he let me watch what he was doing. I had a chance to look inside our meter box, which is the junction between the utility's power lines and the circuit-breaker box in the cellar.

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