John Atkinson

John Atkinson  |  Aug 22, 2019  |  2 comments
DALI's loudspeaker factory in Nørager, Denmark. (Photo: DALI.)

Seen from the air, Denmark is a vista of farms and wind turbines. But once your plane touches down, it is a land of loudspeakers. Perhaps this is because audio has a long history in Denmark—it was a Dane, Valdemar Poulsen, who developed a magnetic wire recorder in 1898—but there are more loudspeaker manufacturers per person than any other country. According to Wikipedia, Denmark is home to 5.75 million people, compared with New York's five boroughs, which have a population of 8.67 million However, as well as drive-unit manufacturers Audio Technology, Peerless, Vifa (which merged with Peerless to form Danish Sound Technology), and ScanSpeak, there are Bang & Olufsen, DALI, Dynaudio, Gamut, Gryphon, Jamo, Lyngdorf Audio, Peak-Consult, and Raidho all making loudspeakers. Lots of loudpeakers.

John Atkinson  |  Aug 22, 2019  |  16 comments
PS Audio's Paul McGowan has been sending out a daily newsletter by email since 2011. In his May 29, 2019 epistle he asked, "What would our world of high-end audio look like if there were only active wireless loudspeakers? If even the half-a-million-dollar mega-beasts were internally amplified and connected via wireless and controlled from an iPad? No more boxes. No more wires and cables. Only speakers.
John Atkinson  |  Aug 11, 2019  |  20 comments
I was saddened to learn that Jack Renner, renowned recording engineer and cofounder with producer Robert Woods of Telarc Records, died on June 19, 2019, age 84, at his home in Rhode Island. Mr. Renner is survived by his wife, Barbara, three children, and six grandchildren.
John Atkinson  |  Jul 30, 2019  |  19 comments
Apple may not have been the first to market with a portable digital audio player, but its original iPod defined the genre: a device small enough to fit into a shirt pocket. When companies like Acoustic Research, Astell&Kern, Fiio, HiFiMan, and Questyle introduced portable players that could play high-resolution files, they echoed the iPod's form factor. The exception was the Toblerone-shaped PonoPlayer, but even that was small. The subject of this review is another exception: The DMP-Z1, from Sony's Signature Series, is comparatively enormous—almost the size and weight of a regular preamplifier. At $8500, it's also considerably more expensive than other players.
John Atkinson  |  May 17, 2019  |  7 comments
I have reviewed several network-connected music servers in recent years, from Antipodes, Aurender, and NAD. All performed well but are relatively expensive, and their associated player apps didn't equal Roon's user friendliness in terms of interface, organization of the library, and inclusion and updating of metadata. So when Roon Labs introduced their own server, the Nucleus+, I first reviewed and then purchased it, along with a lifetime subscription to Roon. But at $2498 without an internal drive for storing music files, the Nucleus+ is still relatively expensive, and even Roon's less-powerful Nucleus costs $1398. I was still on the lookout for a server that would be more accessible to our budget-minded readers.
John Atkinson  |  May 07, 2019  |  22 comments
John Atkinson (left) and Larry Archibald (right) remininisce about JA joining Stereophile in 1986. (Photo: Larry Greenhill)

It was the summer of 1976. My career as a professional musician was not panning out as I had hoped. I'd played bass guitar on quite a few singles and three albums, and toured with erstwhile teen singing sensation Helen Shapiro—but I was better at playing than I was at getting paid. My then wife, Maree, showed me a classified ad in the British newspaper The Guardian: the magazine Hi-Fi News & Record Review was looking for an assistant editor.
John Atkinson  |  Apr 23, 2019  |  23 comments
The good-sounding products that pass through a reviewer's system fall into three categories: those he liked but felt little sense of loss about when they were sent back to the manufacturer or distributor; those he loved and could afford to purchase; and those he loved but that were financially out of reach. The Rossini Player from British company dCS, which I reviewed along with the Rossini Clock in our December 2016 issue, was an example of this last category: the Player costs $28,499, the Clock $7499.
John Atkinson  |  Apr 18, 2019  |  85 comments
When we launched Stereophile's website at the end of 1997, we decided that we would not reprint the magazine's most popular features, including the biannual "Recommended Components" listings and Michael Fremer's monthly "Analog Corner" column. We were concerned that doing so would cannibalize magazine sales. As it turned out, we were wrong—and so the latest "Recommended Components" is available on our free-access website day-and-date with the publication of the April and October issues in which it appears. And starting with Mikey's very first "Analog Corner," from July 1995, I have been posting his column on our AnalogPlanet.com website.
John Atkinson  |  Apr 17, 2019  |  4 comments
The last room I visited at the 2019 AXPONA was the best-sounding: the big room shared by Kyomi Audio and MBL on the Renaissance Hotel's 15th floor. The system comprised MBL's Noble Line N31 CD player/DAC ($15,400) that I reviewed in February 2018, the N11 preamplifier ($14,600), four N15 monoblock amplifiers ($35,600/pair) and the omnidirectional 101E Mk.2 loudspeakers ($70,500/pair), all hooked up with WireWorld Eclipse Series 8 cables.
John Atkinson  |  Apr 17, 2019  |  0 comments
Florida-based Bending Wave USA were showing the ginormous Divin Noblesse loudspeakers ($220,000/pair) making their US debut—I wrote "ginormous" but these are actually just the second largest speakers in the German company Goebel's line—driven by the Swiss CH Precision phono preamp, preamplifier, and power amplifiers.

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