Ken Micallef

Ken Micallef  |  Sep 05, 2019  |  21 comments
Like most older teens growing up in the South in the late 1970s, I had two poles of rock and roll heroes: The Allman Brothers Band and ZZ Top on one side, Yes and King Crimson on the other.
Ken Micallef  |  Jul 16, 2019  |  41 comments
I'm fortunate to have reviewed in recent years not one but three different pairs of horn-loaded loudspeakers. My jaw dropped when I reviewed what would prove the finest loudspeaker to ever grace my home, the Volti Audio Rival. Second came a pricey but pleasing pair from handlebar-mustache king Gordon Burwell, the Burwell & Sons Homage. Then, at the urging of occasional Stereophile contributor Steve Guttenberg, I took on the fat-boy Klipsch Heresy III. As the Beatles used to say, I was dead-chuffed.
Ken Micallef  |  Jul 04, 2019  |  16 comments
Back when the vinyl resurgence was only a gleam in Michael Fremer's eye, most major record labels just couldn't be bothered with the LP. Fans of such masterpieces as Relaxin' with the Miles Davis Quintet, John Coltrane's Blue Train, and Charles Mingus's Blues & Roots had to make do with poor-quality vinyl reissues from small EU-based labels. Sure, there were—and continue to be—audiophile-quality reissues from such companies as Analogue Productions and Speakers Corner, but they often came at a premium price, and a great many classic jazz titles remained unavailable as new, high-quality LPs.
Ken Micallef  |  Jun 18, 2019  |  25 comments
I've been the proud owner of a Kuzma Stabi S turntable and Stogi S tonearm since 2001. The combination was an impulse purchase, made after seeing and hearing it in action at Stereophile's Home Entertainment Show at the New York Hilton. Even under unruly show conditions, the Kuzma player created rock-solid images and played music with serious jump factor. With its matte brass finish, tubular bell looks, and overtly industrial design, the Slovenian-made Stabi S/Stogi S was steampunk before steampunk. Looking back, it was one of my best-ever audio purchases.
Ken Micallef  |  May 30, 2019  |  4 comments
Louisiana-born, 58-year-old saxophonist Branford Marsalis has achieved singular status in the worlds of both jazz and classical music. He cut his teeth playing hard-hitting hard bop with Art Blakey's Jazz Messengers, led The Tonight Show band, and kicked it with the Grateful Dead. He's toured and recorded with Sting, costarred in the Spike Lee film School Daze (1988), and made his classical debut with the New York Philharmonic performing Glazunov's Concerto for Alto Saxophone on Central Park's Great Lawn.
Ken Micallef  |  May 17, 2019  |  1 comments
I have on hand a number of pairs of headphones. And I admit that I've lusted after the heavenly sounding, medieval-looking Abyss AB-1266 Phi headphones, and considered the MrSpeakers Aeon closed-back headphones. (I prefer the isolation from outside sounds provided by closed-back 'phones.) But from the moments I saw—and then heard—Meze Audio's 99 Classics, with their graceful style, balanced sound, and natural wood-grained glory, they had me.
Ken Micallef  |  May 16, 2019  |  11 comments
In his review in the November 2015 issue, Herb Reichert wrote that Parasound's Halo Integrated amplifier "has a recognizable sonic personality: easy flowing, mostly smooth, and decidedly mellow. . . . But don't worry—it's not milquetoast mellow or unwashed-hippy-stoner mellow. It is, instead, an everything's-under-control, don't-worry-now mellow."
Ken Micallef  |  May 01, 2019  |  31 comments
Tenor saxophonist, composer and hi-fi enthusiast Jed Levy is a perceptive musician and devoted music listener. Over the years, he's upgraded his hi-fi as funds have allowed, typically preceded by intense study of equipment reviews and equally persistent ear-twisting of audiophile friends, some in the industry, some not.
Ken Micallef  |  Apr 04, 2019  |  6 comments
"I have an organic approach toward music but I've always been interested in electronics," says Jean-Michel Jarre, whose luxurious electronic pop conquered the world in 1976 with his hit album Oxygène. Even today, Oxygène's bubbling tones and saturated textures provide a blissful sonic experience. "I love jazz because of its organic approach to sound, and I've been influenced by that. I always thought that jazz and electronic music have much more in common than we think."
Ken Micallef  |  Mar 29, 2019  |  12 comments
I first met Pro-Ject Audio Systems' founder and president, Heinz Lichtenegger, in 2016, at the US launch of the Austrian company's The Classic turntable. His passion for all things hi-fi was so intense I thought his head might explode. Gleeful in his mission to bring high-end audio to the people at less than typical high-end prices, Lichtenegger and Pro-Ject can fairly claim bragging rights for their entry-level Debut Carbon (DC) ($460 and up), one of the world's best-selling turntables.

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