Jason Victor Serinus

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Bricasti Design M15 power amplifier
Solid State Power Amp Reviews
Jason Victor Serinus  |  Jun 21, 2018  |  1 comments
On the second morning of a recent audio show, I walked into the exhibit room of Bricasti Design.

"How about some Mahler?" asked cofounder and designer Brian Zolner.

"Oh God. Not at 10am!"

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Adams Takes the Violin Up, Down, Around, and Through
Jason Victor Serinus
Jason Victor Serinus  |  Jun 20, 2018  |  15 comments
Twenty-five years after the premiere of John Adams' Violin Concerto, the music remains as vital, exhilarating, and strangely moving as the day it was birthed. An extremely demanding work, its three contrasting movements present a triathlon challenge of sorts to anyone who dares try to play them.

Here, she who rises to the challenge is violinist Leila Josefowicz. Provocatively pictured on the CD cover as a curious cross between an athlete in repose and Rodin's reflective thinker...

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Kjell Tore Innervik: Utopias
Jason Victor Serinus
Jason Victor Serinus  |  Jun 18, 2018  |  10 comments
If the two works on this recording, Xenakis's Psappha (1975) and Feldman's The King of Denmark (1964), aren't exactly new, their construction and sound are radical in the extreme.
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Bernstein's Great Mahler Song Cycles in Hi-Rez
Jason Victor Serinus
Jason Victor Serinus  |  Jun 10, 2018  |  18 comments
Why should you or anyone care about a 24/192 download reissue of recordings of two Mahler song cycles that were made in Vienna and New York in 1968 by conductor Leonard Bernstein and three of his favorite singers, mezzo Christa Ludwig, her bass-baritone husband Walter Berry, and baritone Dietrich Fischer-Dieskau? After all, the recordings are "old" and the music much older, all but one of the artists is dead, the language is German, and the reissue lacks lyrics and translations . . .
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Olivier Messiaen: Birds Like You've Never Heard Before
Jason Victor Serinus
Jason Victor Serinus  |  Jun 02, 2018  |  8 comments
There is music so unique, so colorful, and so potentially challenging for the casual listener that words like "pretty" or "entertaining" go flying out the window. Such is the case with pianist Pierre-Laurent Aimard's mind-boggling recording of Olivier Messiaen's (1908–1992) Catalogue d'Oiseaux. Anything but background music for a relaxed evening by the fire or in the hot tub, the Catalogue consists of 13 extended odes for solo piano, each of which was inspired by a different bird species. Recorded by Pentatone in 24/96 hi-rez stereo and surround in the famous Saal 1, Funkhaus, Nalepastrasse, Berlin, and issued as a three-disc SACD set (PTC 5186 670), the box includes a bonus DVD on which Aimard, a professor at the Hochschule Köln, discusses the pieces at length and offers insights into Messiaen the man and composer.
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Au Revoir Dave Wilson (1944-2018)
News
Jason Victor Serinus  |  May 28, 2018  |  7 comments
Dave Wilson stands with his final design, the WAMM Master Chronosonic speaker system from 2016. (Photo: John Giolas)

Wilson Audio founder, Dave Wilson, 73, died of metastatic bone cancer on Saturday evening, May 26. Dave was receiving hospice care at his Utah home, and took his leave with his beloved wife and partner, Sheryl Lee Wilson, and other family members at his side.

Dave's exit came after he had overseen the 2006 expansion of Wilson Audio's factory in Provo, Utah by over 60%; announced, in November 2016, the succession of his son, Daryl Wilson (then 38) as CEO and President of Wilson Audio; and completed his magnum opus/ultimate statement, the limited edition WAMM Master Chronosonic loudspeaker ($685,000/pair). Secure in the knowledge that Daryl, who had already contributed to or taken over the design of at least 32 successful loudspeaker models, he was able to depart with a sense that his legacy as one of the great innovators in loudspeaker design will live on.

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Scintillating Sonatas by a Man Named Bach
Jason Victor Serinus
Jason Victor Serinus  |  May 27, 2018  |  21 comments
Two of America's finest baroque musicians, flutist Stephen Schultz and harpsichordist Jory Vinikour, have teamed up to record J.S. Bach: Sonatas for Flute and Harpsichord (Music & Arts). Available in both CD and hi-rez 24/96 formats, this sparkling collection of four sonatas was recorded in Skywalker Sound's "The Scoring Stage," whose variable acoustics were adjusted for maximum reverberation by Jack Vad (recording engineer and producer of San Francisco Symphony's recordings) and Dann Thompson (one of the in-house engineers at Skywalker).
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Aqua Acoustic Quality Aqua Formula xHD D/A processor
Digital Processor Reviews
Jason Victor Serinus  |  May 24, 2018  |  41 comments
At the 2018 Consumer Electronics Show, when John Atkinson and I entered the room shared by Lamm Industries, Aqua Acoustic Quality, and Kharma room, we were looking for two things: good sound, and digital products for me to review. When we spied AAQ's Formula xHD digital-to-analog converter, the possibility of evaluating a potentially excellent DAC made by someone other than the usual suspects felt like a golden opportunity.
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Marc Mauillon: the Leçons of Lambert
Jason Victor Serinus
Jason Victor Serinus  |  May 20, 2018  |  8 comments
Less than a minute into this rare realization of the Leçons de Ténèbres des Mercredi, Jeudi et Vendredi saints by Michel Lambert (ca 1610–1696), I knew I had to review it. Recorded for Harmonia Mundi in 24/88.2 hi-rez by Alban Moraud, who did a wonderful job capturing the resonant acoustic of La Courroie, Entraigues-sur-la-Sorgue, the 2-CD/51-track set showcases the extraordinarily agile, virtually vibrato-less and intentionally nasal bari-tenor of Marc Mauillon.
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Debussy Sonatas and Trios: Unforgettable Color and Texture
Jason Victor Serinus
Jason Victor Serinus  |  May 09, 2018  |  4 comments
In this 100th anniversary year of the death of Claude Debussy (1862–1918), one of the finest recordings of his music released so far is Erato's Debussy Sonatas & Trios (Erato C565142). Appropriately recorded in Paris, in two different sounding venues, with an all-star French lineup—Emmanuel Pahud, flute; Gerard Caussé, viola; Edgar Moreau, cello; Marie-Pierre Langlamet, harp; and Bertrand Chamayou, piano—the recording is replete with the unique atmosphere, color, and textures that make Debussy's music so unforgettable.
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