Headphone Reviews

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Wes Phillips  |  Dec 03, 2006  |  First Published: Jul 03, 1996  |  0 comments
It's hard to know what to call the SHA-Gold. It is a superb headphone amplifier—maybe even the target all future headphone amps need to shoot at—but it's also a full-function preamplifier. At two grand, it's not exactly a unit you'd add to your current system just to get a headphone connection...Wait a minute! What am I saying? I'm sure that there are folks out there who would add this to their existing reference systems as casually as I'd buy the Audio Alchemy headphone amplifier—but they'd be missing out on a great line stage.
Wes Phillips  |  Dec 03, 2006  |  First Published: Jul 03, 1996  |  0 comments
What, I hear you asking, is an integrated drive? The MID is part of McCormack's much lauded "Micro" series (see my review of their Micro Line Drive in Vol.18 No.6), which are designed to offer the same dedication to quality as McCormack's full-size components, but at a lower price (and in a smaller package). The MID was initially the Micro Headphone Drive, sporting two ½" stereo phone-jacks on the front panel, a two-position input switch, and a volume control. The rear boasted two inputs and an output (controlled by the volume pot). It was designed to be a high-quality headphone amp and a minimalist preamp. In this configuration, I ran into it at the 1995 WCES where—almost as a gag—Steve McCormack had made up a few ½" stereo phone-plug to 5-way binding post connectors. He could, he explained, run small speakers from the headphone outputs. There was a serious purpose behind the joke, of course. Showing that the MHD could drive speakers spoke volumes for its ability to drive headphones.
Wes Phillips  |  Dec 03, 2006  |  First Published: Jul 03, 1996  |  0 comments
For headphone listeners, this is truly a golden age—we have multiple choices at many different price levels. During the course of this review, I had as many as five headphone amplifiers (and, in several cases, multiple power supplies) set up for comparison. Yet many people don't understand why we might want a headphone amp in the first place.
Wes Phillips  |  Dec 03, 2006  |  First Published: Nov 03, 1995  |  0 comments
I was cruising at 36,000 feet, totally relaxed, listening to Richard Thompson. Looking down at my lap, I caught sight of a little box with a glowing green light. Switching off this light was like turning on the noise—the 767 was roaring like a locomotive and the ambient sound hit me like a fist. Thompson's crisp Celtic chordings turned mushy, undetailed, and dull. I felt weary. Whoa, I wouldn't do that again if I were you, laddie! I fumbled for the switch and reactivated the NoiseGuard circuitry on my Sennheiser HDC 451 noise-canceling headsets. Thompson's guitar rang out clearly, the airplane quieted to sound like an S-class Benz, and I relaxed into a calm reverie with only one worry clouding my contentment. But I patted my pocket: yup, still two cognacs left. Everything would be all right.
Wes Phillips  |  Jul 30, 1995  |  0 comments
The cab's outside, the plane leaves in 50 minutes. Let's see...HeadRoom Supreme, HeadRoom Bag, portable CD player, CDs, Etymotic ER-4S Canal Phones....Oh, yeah—mustn't forget luggage or plane tickets. Guess I'm set to go.
Wes Phillips  |  Jan 09, 2006  |  First Published: Dec 09, 1994  |  0 comments
Drum me out of the High End if you must, but I have a shameful confession to make: I love headphones. I know, I know, I'm supposed to preface my comment with a lofty disclaimer, such as, "Of course, given my refined sensibilities, I could never derive satisfaction from such a compromised listening apparatus, but many of you seem to enjoy them." Well, pardon me for saying so, but pfffftttt!
Corey Greenberg  |  Jun 08, 1995  |  First Published: Jun 08, 1994  |  0 comments
What the hell is going on with headphones these days?!
Thomas J. Norton  |  Sep 07, 2010  |  First Published: Feb 07, 1994  |  0 comments
You'd probably be surprised to learn that headphones are the most common means for listening to music. No, I didn't get that from a book, but from personal observation. I'm referring here to personal portable stereo listening—the ubiquitous Jogman with which a whole generation has retreated into its own private world, isolated from traffic noise, muggers, and, at home, housemates or parents screaming "Turn it down!"
Thomas J. Norton  |  Aug 30, 2010  |  First Published: Feb 02, 1994  |  0 comments
While headphone listening remains secondary to that of loudspeakers for most serious listeners, it's still an important alternative for many. And while good conventional headphones exist, electrostatics are usually considered first when the highest playback quality is required. As always, there are exceptions (Grado's headphones come immediately to mind), but most high-end headphones are electrostatic—such designs offer the benefits of electrostatic loudspeakers without their dynamic limitations. Last year I reviewed the Koss ESP/950 electrostatics (Vol.15 No.12), a remarkable set of headphones from the company that practically invented headphones for serious home listening. Here I listen to examples from two other companies, each known for its headphones since Pluto was a pup.
John Atkinson  |  Jan 08, 1995  |  First Published: Jan 08, 1994  |  0 comments
"Uhh! What is it?" I was being prodded on the arm. Admittedly it was gentle, almost polite prodding, but prodding it still was, a rude disturbance of the cocoon I had woven around myself in seat 31J of the American Airlines MD-11 winging its way across the North Atlantic. I pushed Pause on the Discman, insensitively not waiting for an opportune cadence in the Brahms Piano Quintet that had been my erstwhile virtual reality.
Thomas J. Norton  |  Aug 03, 2010  |  First Published: Dec 03, 1992  |  1 comments
Love 'em or hate 'em, headphones serve a purpose. My first headphones were Kosses, and they were perfect for use in a college dorm. While I've always owned a pair or more over the years, somehow they never became my primary mode of listening, except in situations where using loudspeakers at satisfying levels risked eviction, bodily harm, or both.
Corey Greenberg  |  Oct 07, 1995  |  First Published: Oct 07, 1992  |  0 comments
"I remember Momma!"
John Atkinson  |  Jul 06, 2016  |  First Published: May 01, 1991  |  4 comments
I do quite a bit of headphone listening during the day, making use of their convenience to shut out the office hubbub while I get down to serious copy editing. The system I use is modest—a pair of no-longer-available Sennheiser HD420SLs driven by an Advent 300 receiver I bought for $75, with CD source provided by a Denon DCD-1500 II—but I get quite a bit of musical satisfaction from it.
Gary A. Galo, John Atkinson  |  Dec 13, 2012  |  First Published: May 01, 1991  |  2 comments
The name Joseph Grado is certainly not new to the transducer field, but the HP 1 is his first entry into the headphone market. The HP 1s are billed as "Professional Recording Monitor Headphones," and Grado is clearly targeting professional recording engineers and equipment designers in need of an accurate monitoring tool. Joe's designs, whether they be phono cartridges or tonearms, have never been ho-hum also-rans when compared to their competition. His products have invariably shown unique design ingenuity, often radically departing from accepted practice. His Signature Tonearm (the last such product he made, now discontinued), which I still use as a reference, is a case in point. The HP 1 headphones are no exception, being rather unusual in design, physical appearance, and construction.
Dick Olsher, J. Gordon Holt, John Atkinson  |  Jul 12, 2016  |  First Published: Sep 01, 1984  |  0 comments
Stax Kogyo, a small audio company by Japanese standards, has been for the past 15 years steadfastly refining and redefining the electrostatic headphone. The SR-Lambda Pro is their current flagship model, and at a 1984 US list price of $780 it also represents a very substantial investment in headphone technology.

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