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Jon Iverson  |  Jun 09, 2002  |  0 comments
Chip manufacturer ESS Technology is no stranger to audiophiles interested in new formats. It was responsible for one of the first "universal" SACD/DVD-Audio decoding chips and more recently was the supplier of a special-purpose chip for Linn's SACD "Silver Disk Engine" designs.
Wes Phillips  |  Jan 27, 2007  |  0 comments
Okay, now things are getting confusing. Hot on the heels of his announcement that he had hacked HD DVD's Advanced Access Content System (AACS) digital rights management (DRM), muslix64 claimed to have done the same to Blu-Ray's implementation, with the help of anti-DRM crusader Janvitos. You can read the whole saga at the Doom9 forum but we'll just give you the juicy bits: "In less than 24 hours, without any Blu-ray equipment, but with the help of Janvitos, I managed to decrypt and play a Blu-ray media file using my known-plaintext attack."
Robert Deutsch  |  Jul 12, 2015  |  0 comments
I ran across the poster above in Canada HiFi magazine: an announcement of the launch of a new audio store with an evening of vinyl playback. Located in the town of Orangeville, Ontario (population 30,000, about an hour's drive from Toronto), the store, with the intriguing name of Aardvark Boutique Audio, hadn't opened yet, but the event, taking place in the Orangeville Opera House, promised "Canadian Musicians On Vinyl—In Amazing Hi Fi Sound." I had to go and check it out.
Jon Iverson  |  Oct 15, 2000  |  0 comments
Following on the heels of its announcement last week of the first commercially available DVD-Audio disc (Swingin' for the Fences, by Gordon Goodwin's Big Phat Band), Silverline Records says that Aaron Neville will become the first major artist to release an album in the format. Silverline expects that, on October 24, Neville's solo album Devotion will be released on DVD-A. The disc will also include audio tracks compatible with standard DVD players.
Wes Phillips  |  Dec 24, 2005  |  0 comments
In the December 2005 issue of the UK magazine Hi-Fi Plus, editor Roy Gregory announces that Absolute Multimedia, Inc., publisher of The Absolute Sound and The Perfect Vision magazines, has purchased the British audio journal.
Jason Victor Serinus  |  Jun 21, 2015  |  14 comments
Just three months after buying 13 vintage record presses, Chad Kassem of Acoustic Sounds (above) has purchased The Mastering Lab (TML), the legendary facility of Grammy Award-winning mastering engineer, Doug Sax, who died of cancer on April 2 at the age of 78...
Stereophile Staff  |  Aug 11, 2002  |  0 comments
"You'd be hard-pressed to find a company more protective of its reputation than Krell," says Wes Phillips, as he heads off to evaluate the Krell KAV-300cd CD player. WP ponders whether that reputation is still intact as the company tries to save its customers some money.
Stereophile Staff  |  Nov 17, 2002  |  0 comments
We kick off our anniversary collection with 40 Years of Stereophile: What Happened When. Editor John Atkinson recounts the complete history of Stereophile, starting in 1930 when J. Gordon Holt heard his first sound in North Carolina.
Stereophile Staff  |  Sep 16, 2001  |  0 comments
Wes Phillips pries a hard-to-acquire Ayre Acoustics V-3 power amplifier out of company hands and puts it to the sonic test. Does the amp live up to its legendary "Best of Show" status? Phillips has the answer.
Stereophile Staff  |  Jan 07, 2001  |  0 comments
Writer Brian Damkroger had always wanted "a really good, big solid-state amp" to match his Magnepan loudspeakers. So when the Classé CAM 350 monoblock power amplifiers arrived, it seemed like at least one of his dreams had finally come true. But was it a match made in heaven? Damkroger lays out the details in his January, 2001 review.
Stereophile Staff  |  Dec 19, 1999  |  0 comments
A common question in the audio newsgroups these days is, "Have you tried the new PS Audio Power Plant, and what did you think?" Stereophile's Robert Deutsch takes a seasoned look at the new product in his review of the PS Audio P300 Power Plant. Does it live up to all of the hype, and is it true that the P300 is "audaciously original in concept, yet makes so much sense that you wonder why no one ever thought of it before?" Mr. Deutsch explains.
Stereophile Staff  |  Mar 11, 2001  |  0 comments
With the April issue of Stereophile, the "Recommended Components" list is again on its way to subscribers' audiophile homes around the world. But there has always been controversy surrounding the popular feature. George Reisch explores the problem in "Recommended Components"—the St. Hubbins' Syndrome!
Stereophile Staff  |  Sep 23, 2001  |  0 comments
A comprehensive set of reviews awaits those interested in learning everything there is to know about the legendary Quad ESL-63 loudspeaker. Writers checking in with analysis, background, and opinion include J. Gordon Holt, Anthony H. Cordesman, Sam Tellig, Martin Colloms, Larry Greenhill, and John Atkinson.
Stereophile Staff  |  Mar 10, 2002  |  0 comments
John Atkinson gets high with the HeadRoom Supreme headphone amplifier and reports on the results. "The quest to make the headphone listening experience more equivalent to normal speaker listening is not new," writes JA. Has the Supreme made the cut?
Stereophile Staff  |  Jan 21, 2001  |  0 comments
February's the month when Stereophile publishes its coveted "Records To Die For" feature, wherein everybody working for the magazine gets to make like a music critic and add their two cents' worth about what gets them excited (musically speaking). R2D4 2001 is on newsstands right now, in the February issue of Stereophile; to commemorate its publication, we add the 2000 "Records To Die For" to the online archives.

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