Floor Loudspeaker Reviews

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John Atkinson  |  Nov 25, 2015  |  7 comments
For me, one of the highlights of 2013 was being able to live with the Sonja 1.3, the flagship loudspeaker model from Colorado-based YG Acoustics. I reviewed this tall, massive, three-enclosure tour de force of a design, which costs $106,800/pair, in July 2013, and was not surprised when, for the December 2013 issue, Stereophile's writers voted it one of the magazine's two Loudspeakers of the Year. So when I was asked last spring if I wanted to review the new version of the smallest and least-expensive model in YGA's lineup, the request fell on receptive ears.
John Atkinson  |  Jun 25, 2013  |  First Published: Jul 01, 2013  |  49 comments
The advertisements run by Colorado manufacturer YG Acoustics in 2008, when it launched its flagship loudspeaker model, the Anat Reference II Professional, unequivocally claimed it to be "The best loudspeaker on Earth. Period." They caused a stir. The YGA speaker cost $107,000/pair at the time of Wes Phillips's review in the March 2009 issue. Wes didn't disagree with the claim, concluding that, "Like my pappy used to say, it ain't braggin' if you can actually do it."
Herb Reichert  |  Jun 16, 2016  |  16 comments
My lifestyle consultant warned me not to review Zu Audio's Soul Supreme loudspeaker ($4500/pair).

"Why not?" I asked. "They're exciting and super-enjoyable."

"Zu speakers are not mainstream," he explained. "People either love them or hate them. They're for music lovers, not audiophiles."

"That's not true!" I whined like a disappointed child. "They play Nina Simone and Aretha Franklin with spooky soul and natural tone! They play big classical orchestras—especially with trumpets and timpani—with radical ease and full-tilt momentum! And . . . and . . . they project large soundstages! Isn't that what audiophiles like?"

Art Dudley  |  Oct 19, 2009  |  1 comments
For 15 years, lovers of low-power amplifiers have clamored for more and better high-efficiency loudspeakers (footnote 1). For 15 years, their choices have remained limited to products with varying combinations of colored sound, poor spatial performance, basslessness, high cost, and cosmetics that range from the weak to the repulsive.

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