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Back in 1985, J. Gordon Holt wrote: "It seems, these days, that many of us audiophiles have become so preoccupied with the minutiae of sound reproduction that we haven't even noticed that it doesn't sound like music any more." He was talking about the obsession with soundstaging and detail at the expense of musical accuracy. In "Getting the Notes Right (Midrange Madness)," he renders his lesson in classic JGH style, observing that "I have played on this old saw in these pages for so many years that it has turned into a dead sawhorse, but somehow the message never seems to get through. There should be no harm done by beating it into the ground a little farther."

J. Gordon Holt founded Stereophile in the fall of 1962 in order to promote the idea that the optimal way to judge audio components was to do what end users did: listen to them. Since then, Gordon has had an unbroken relationship with Stereophile, through its sale to Larry Archibald in 1982, my coming on board as editor in 1986, the sale of the magazine to Petersen Publishing in 1998, and the subsequent sale of Petersen to Emap in 1999. Through all this time he has been listed on the magazine's masthead as "Founder & Chief Tester." (A fascinating interview with Gordon, conducted by his associate and friend Steven Stone, can be found in this website's "Archives.")

More than a million CD recorders have been sold in the last 21 months, making the category one of the most rapidly developing segments in the history of the consumer electronics industry. The news was delivered by Philips executives at the end of August at the IFA trade and consumer exhibition in Berlin, Germany.

The year was 1956, and Elvis had just finshed his set on the December 15 Louisiana Hayride radio show. Elvis was one of a half-dozen acts that were broadcast that night on KWKH, the radio station that originated Hayride. After his encore, Elvis left the stage and the crowd went wild—so wild that they would not stop screaming for more of the soon-to-be king of rock'n'roll. Because several acts on the bill had not yet performed, the show's announcer, Horace Logan, went to the microphone in an attempt to quiet the audience, and ended up making a little music history.