LATEST ADDITIONS

Jon Iverson  |  Sep 05, 1999  |  0 comments
Want to start an audio newsgroup fire-fight? Just put the three letters "ABX" in the subject line of your post, sit back, and watch the pros take over. Read where it all started 15 years ago in "The Highs & Lows of Double-Blind Testing," which John Atkinson has compiled from the years 1985 and 1986, when an argumentative thread ran through Stereophile's pages discussing the benefits (or lack of) of double-blind testing methods in audio component reviewing—all triggered by J. Gordon Holt's review of the ABX Comparator.
Barry Willis  |  Sep 05, 1999  |  0 comments
Beginning September 21, more than 50 music retailers will offer David Bowie's new album, hours . . ., as a digital download from their websites. Other companies have released promotional singles, but the event will be the first time an entire album has been offered by a record company over the Internet. The Internet release will run about two weeks, leading up to the October 5 debut of the album in stores. Bowie was one of the first major recording artists to venture onto the Internet, with his 1997 single, "Telling Lies."
Jon Iverson  |  Sep 05, 1999  |  0 comments
When Sony introduced the first Super Audio CD (SACD) player, the SCD-1 (see previous report and Jonathan Scull's forthcoming review in the November 1999 Stereophile), audiophiles who heard it were impressed with its performance, but wondered if its $5000 price tag would keep it out of the market for a while. Last week, Sony announced their second SACD player, the SCD-777ES, to appear in October at the slightly more wallet-friendly price of $3500.
Larry Greenhill  |  Sep 05, 1999  |  0 comments
My father could not resist buying electronic and photographic gear. As soon as he heard about a new Polaroid camera, or a new weather radio, tape recorder, or color television, he'd go shopping. He'd be even more eager to buy an updated version of what he already had, particularly if this meant there was a story to tell. He'd buy one for himself, and sometimes he'd give me and my three brothers one of our own for a birthday or Christmas gift. (I often thought he took more pleasure from giving to us than he did from getting his own.)
Robert Baird  |  Sep 05, 1999  |  0 comments
GEORGE JONES: Cold Hard Truth
Asylum 62368-2 (CD). 1999. Keith Stegall, prod.; John Kelton, eng.; Mark Nevers, Brady Barnett, Steven Crowder, John Stolpe, asst. engs. AAD? TT: 34:16
Performance ****?
Sonics ****?
Michael Fremer  |  Sep 04, 1999  |  0 comments
I've heard my share of Krells, Levinsons, Rowlands, and the like in other people's systems—expensive solid-state amplifiers are not my usual beat. With the exception of an inexpensive Adcom a few years back, for more than a decade I've owned and reviewed only tube amps. In fact, until the $7500 Ayre Acoustics V-1 showed up, I'd not had one in my system. Similarly, I'd had only tube preamps until I reviewed the Ayre K-3, which so impressed me that I asked to hear the more expensive K-1—and ended up buying it.
Stereophile  |  Aug 29, 1999  |  89 comments

While we're on the topic of high-end audio e-commerce, have you tried your hand at the online market in <I>used</I> audio equipment?

Have you bought or sold used audio equipment over the Internet?
Yes, bought something
30% (57 votes)
Yes, sold something
5% (10 votes)
Have bought <I>and</I> sold
32% (60 votes)
Haven't bought or sold yet
24% (44 votes)
Not interested
9% (16 votes)
Total votes: 187
Barry Willis  |  Aug 29, 1999  |  0 comments
Country music reached the peak of its popularity six years ago, when it claimed 18.7% of the recorded-music audience. Since then, it has steadily declined to its present 14.1%, according to the Recording Industry Association of America's 1998 Consumer Profile. Reasons for the decline include the increasing crossover of country stars into pop and rock styles, a phenomenon that has broadened many artists' reach and made acts like Garth Brooks and Shania Twain household names among folks who may not previously have paid much attention to country. Crossing over, unfortunately, also dilutes the support of traditional music fans. Apart from the twang in the vocals, much current "country" music sounds amazingly like the rock and pop of 10-15 years ago.
Jon Iverson  |  Aug 29, 1999  |  0 comments
It's been a busy week for Digital Audio Broadcasting (DAB) pioneers Lucent Digital Radio. (See previous report.) The company has announced that a new entity, Lucent Digital Radio, Inc., has been created as a result of an investment by Pequot Capital Management. The new company will be owned by Pequot Capital investors and Lucent Technologies, which will hold a majority ownership stake. Lucent says it will continue to support the new venture and provide ongoing access to research from the company's Bell Labs research and development unit.

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