LATEST ADDITIONS

Michael Fremer  |  Mar 28, 1999  |  0 comments
I literally dropped everything when Rega's new Planar 25 turntable arrived a few weeks ago. I'd heard the 'table compared with the Planar 3 at designer Roy Gandy's house when I visited Rega last fall—see "Analog Corner" in the January '99 Stereophile—and was anxious to audition it in my own system and tell you what I heard.
Jonathan Scull  |  Mar 28, 1999  |  0 comments
What fascinates me about the High End are the electric personalities behind it. Manufacturers typically invest so much of themselves in the products they make. It's a divine madness—they do it because they have to. They're driven to it with a real sense of mission and excellence. But God forbid you criticize any of their offspring...ooo-la-la!
Larry Greenhill  |  Mar 28, 1999  |  10 comments
On a very special Saturday night in early September—late winter in Australia—I was deeply moved by hearing Brahms' Symphony 1 in the concert hall of the Sydney Opera House complex. Perhaps it was Marek Janowski's fiery, inspired conducting, but I keep recalling the hall itself. Earlier that day, I had photographed—first from my hotel room, later from a ferry—the huge, nesting sail-like roofs, covered with a million white ceramic tiles, that enclose an opera theater, concert hall, and restaurant. Twenty-five years in construction and costing over $107 million, the Sydney Opera House is described in my Fodor's '98 Australia guide as "the most widely recognized landmark of urban Australia." Attending the concert that night—all 2679 seats were occupied—I found the acoustics lovely, dark, and rich.
Stereophile  |  Mar 21, 1999  |  74 comments

Last week's "Soapbox" stirred up a hornet's nest of comments. Kevin Wilkinson postulated that high-resolution technical developments like DVD-Audio and SACD might spell doom for the High End. On the other hand, they could contribute to its rebirth. What do <I>you</I> think?

Will high-resolution technical advancements finish high-end audio?
Yes, and soon . . .
5% (7 votes)
Yes, but in the long term . . .
7% (10 votes)
Possibly . . .
9% (13 votes)
No, but it will change for the worse . . .
3% (4 votes)
No, it will get better . . .
42% (60 votes)
It's more complicated than that . . .
34% (48 votes)
Total votes: 142
Robert Deutsch  |  Mar 21, 1999  |  0 comments
Montreal audiophiles are a hardy lot. Last winter, the city experienced the most devastating ice storm in its history, with power lines demaged to the point that almost the entire city was plunged in darkness. At the time of the 1998 Festival du Son et de l'Image (aka the Montreal Audio/Video Show), residents were still recovering from the effects of the storm. Did this calamity stop the show? No way! By all accounts, the 1998 show was the most successful in the event's 11-year history. I missed it myself, but I made sure that I wouldn't miss the next one.
Stereophile Staff  |  Mar 21, 1999  |  0 comments
Myles Astor, publisher of Ultimate Audio, recently announced that former Stereophile contributing editor Jack English has joined his publication as a senior editor.
Jon Iverson  |  Mar 21, 1999  |  0 comments
First with CD players, then digital preamps, and recently amplifiers, digital technology has ground inexorably through the audio chain. Several companies have been developing ways to shorten the analog path or remove it entirely. Meridian's "digital" loudspeakers come to mind, as well as the amplifiers from manufacturers Spectron and TacT.
Jon Iverson  |  Mar 21, 1999  |  0 comments
A good reference work on a subject like audio can help speed the understanding of complicated terms and develop the reader's grasp of the hobby's more arcane reaches. Unfortunately, not all audio books serve the audiophile equally well. Read about one such mishap in Book Review: High Fidelity Audio/Video Systems: A Critical Guide for Owners.
Barry Willis  |  Mar 21, 1999  |  0 comments
Owners of Apogee Acoustics loudspeakers are apparently being left to twist in the wind by a/d/s/, the company that took over Apogee and subsequently shut it down (other than to apply the brand to a range of switch-mode power amplification modules). Service will no longer be available for the ribbon speakers, according to Apogee owner Matt Carnicelli.
Barry Willis  |  Mar 20, 1999  |  0 comments
Among major American cities, San Francisco probably ranks near the top in culture per capita. It's therefore no accident that an Internet venture billing itself "the world's first website journal of classical music criticism" should have originated there. The site, San Francisco Classical Voice, is celebrating its first six months online.

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