LATEST ADDITIONS

Robert Baird  |  Dec 07, 2017  |  8 comments
While it hasn't always made money or hit records, the music business has never been short on ideas. Most are nonsense, but every once in a while—the gramophone, onstage monitors, Les Paul's overdubbing—the biz comes up with a winner.

Many of the craziest ideas I've heard in 30 years of writing about music have been expounded on at the South by Southwest Music Festival, held each year in Austin, Texas. At SXSW, hope springs eternal. Secrets are whispered. Buzz bands gain momentum. Rumors ripple through crowds. Everyone has visions of morphing into a mogul. There's an intoxicating energy to it all.

John Atkinson  |  Dec 07, 2017  |  First Published: Apr 01, 1989  |  1 comments
666skinny.promo250.jpgOne of the joys of reviewing loudspeakers is that there are always intriguing aspects of any particular design. The problems involved in producing a speaker that has an even tonal balance, well-controlled directivity, good bass extension, and a smooth integration of the outputs from often widely disparate drive-units have what appears to be an infinite number of solutions. The result is often a speaker so different from the norm that it just cries out to be auditioned.

Such was the case with the Delaware Acoustics DELAC S10, which costs $629/pair. Only sold factory-direct, this would therefore have been low on Stereophile's priority list for review if it weren't for two things: first, the fact that the S10 was designed by one Ralph Gonzalez, a name that should be familiar to readers of Speaker Builder magazine for having written a very useful speaker design and analysis program; second, as implied in the first paragraph, the S10 is one of the weirdest speakers I have ever laid ears on.

Paul Messenger  |  Dec 06, 2017  |  0 comments
Poland's Audio Video Show, held in Warsaw each November and now firmly established as Europe's No.2 hi-fi event, has a very different feel from Event No.1: High End, held each May in Munich, Germany. Unlike High End's business-to-business approach, the Audio Video Show is very much for regular consumers, of whom more than 14,000 attended over the show's three days, November 17–19. Boosted by a modest "Smart Home" presence, that was an increase of nearly 18% over last year's show, alongside more modest growth in the numbers of exhibitors and exhibit rooms.
John Atkinson  |  Dec 05, 2017  |  First Published: Nov 01, 1980  |  21 comments
The problem confronting the magazine reviewer when organising the necessary listening tests to accompany/reinforce the measured behavior of a device under test is complex. There has never been a problem with the measurement aspect; as long as someone has access to the same test gear—and full knowledge of the test conditions—then he should be able to replicate the critic's findings exactly (assuming an infinitely narrow spread of behaviour from sample to sample—a rasher assumption with some manufacturers' equipment than of others). However, when it comes to determining reliably the audible (or inaudible?) effects on music program by an amplifier/cartridge/loudspeaker etc. then the going gets tough.
William Marsh, J. Gordon Holt  |  Dec 05, 2017  |  First Published: Sep 01, 1975  |  0 comments
The King's Singers: A Contemporary Collection
Works by Peter Dickinson, Malcolm Williamson, Richard Rodney Bennett, Krzystof Penderecki, Paul Patterson
EMI EMD 5521 (UK LP). MMG Records MMG 1142 (US LP). 1975. Christopher Bishop, prod.

Astounding performances! Every piece here was commissioned by the King's Singers, those six English gentlemen whose vocal artistry surely has never been surpassed. The works here are by Peter Dickinson, Malcolm Williamson (recently appointed by HRH Elizabeth II to the post of Master of the Queen's Musick, succeeding the late Sir Arthur Bliss), Richard Rodney Bennett, Krzystof Penderecki, and Paul Patterson.

Stereophile Staff  |  Dec 04, 2017  |  0 comments
Loudspeaker manufacturer SVS is embarking on a launch event tour for its new 4000 Series subwoofers. These free events will feature prize giveaways, home-theater demos of the new subwoofers, and a presentation by SVS president Gary Yacoubian, as well as "festive" local refreshments. The next event will take place at Electronics Expo (491 US 46W, Wayne, NJ 07470) 6–8pm, Tuesday December 5. Please RSVP here.
Jana Dagdagan  |  Dec 04, 2017  |  16 comments
The January 2018 issue of Stereophile, which will hit newsstands at the end of this week, features GoldenEar Technology's flagship Triton Reference loudspeaker on its cover, with a review inside from John Atkinson. When GoldenEar's co-founder and president Sandy Gross visited JA last July to set the speakers up in his Brooklyn listening room, John asked Sandy about his loudspeaker design goals, his preferences in sound quality, his tastes in audio, and the state of the high-end audio market.
Jason Victor Serinus  |  Dec 03, 2017  |  4 comments
At age 16, South African soprano Pretty Yende (b. 1985) encountered the now legendary British Airways TV commercial whose soundtrack included the gorgeous "Flower Duet" from Délibes's Lakmé. Now, at twice that age, Metropolitan Opera star Yende has released her second solo album for Sony. Entitled Dreams, the recording is packed with well-known, high-flying soprano coloratura calling cards.
John Atkinson  |  Dec 01, 2017  |  11 comments
On Wednesday, November 29, I received the following announcement from Ayre's Brent Hefley: "With heavy hearts, we regret to inform you that Charles Hansen, founder of Ayre Acoustics, has passed away on November 28th, 2017. Those who knew Charley knew that he was a passionate man who always stood up for what he believed to be right. His family knew him as a loving and dedicated father of his two children. With the passing of Charley, the world has lost one of the most creative and innovative minds in the audio industry and we have lost a good friend."
Jason Victor Serinus  |  Nov 30, 2017  |  31 comments
John Atkinson asked me to review the dCS Network Bridge ($4250), which was designed to be paired not just with the dCS Vivaldi DAC ($35,999) running the current v.2.02 software, but with any DAC. This meant I was forced to endure several months with the state-of-the-art Vivaldi as a replacement for my reference dCS Rossini ($23,999). Oh, how I suffered.

Pages

X