LATEST ADDITIONS

Larry Greenhill  |  Nov 08, 2018  |  First Published: Aug 01, 1986  |  4 comments
Japanese audiophiles venerate American high-end audio components, paying huge sums for vintage Marantz tube amplifiers, racks of Levinson ML-2s, and early Audio Research tube preamplifiers. The balance of trade, at the high end anyway, hasn't been reciprocated: Japanese high-end amplifiers and preamplifiers have not received as positive a reception in the US. Perhaps it was a matter of styling, but the sonics of the Sony Esprit line and the class-A Stax amplifiers did not receive the following they might have, had the products been American.
Art Dudley  |  Nov 07, 2018  |  3 comments
"I've got six hours to get ready for 30 hours of show time so an attendee can listen for 10 minutes." Thus did Doug White, proprietor of the Philadelphia-area dealer The Voice That Is, describe the challenge of setting up a system for a show such as Capital Audiofest. (When I asked, Do you use a spectrum analyzer?, White said Yes, and smiled and pointed to his brow.) The results of his expertise—no other word for it—were in full flower in a system that, though far from humble, featured the least expensive loudspeakers I've heard in a TVTI system: Tidal's Vimberg-series Mino ($29,000/pair).
Stereophile Staff  |  Nov 07, 2018  |  3 comments
Saturday and Sunday, November 10–11, 9.30am –5:30pm each day: The Hi-Fi Show Live 2018 takes place at the Beaumont Estate in Old Windsor (Burfield Road, Old Windsor, Windsor SL4 2JJ, Berkshire, UK). Friday November 9 through Sunday November 11, the Chester Group's New York Audio Show 2018 takes place at Manhattan's Park Lane Hotel (36 Central Park South, New York, NY 10019).
Art Dudley  |  Nov 06, 2018  |  7 comments
I began my Sunday morning at Capital Audiofest with a portion of one of Malcolm Arnold's jaunty overtures: not quite sacred music, but it was nonetheless magnificent in the room sponsored by Gryphon Audio and retailer 20/20 Evolution Systems. In addition to having appropriate weight and realistic die-away, the sound of mallet on bass drum had the most tonally realistic thud I recall hearing through a hi-fi. And on a CD vinyl drop of the mono version of Mal Waldron's "Warm Canto," the unison piano, cello, and double-bass notes in the opening measures had realistically tactile note attacks—likewise Ron Carter's pizzicato cello solo, which was very moving, appropriately so.
Ken Micallef  |  Nov 06, 2018  |  2 comments
Photo: Nicholas Suttle

Electric guitarist John Scofield, winner of multiple Grammy Awards, has a knack for staying a step ahead of musical trends. In hundreds of jazz settings, "Sco" and his signature Ibanez AS200 guitar and Fender Reverb amplifier have created a unique style and sound that have earned him a popularity beyond jazz's usual audience.

Jim Austin  |  Nov 06, 2018  |  5 comments
When I reviewed PS Audio's PerfectWave P10 Power Plant AC Regenerator,1 I found that it significantly improved the way music sounded through my system. I bought one. The main limitations I found with the P10 were its power—a maximum continuous load of 1200 volt-amps (VA, footnote 1)—and the number of AC outlets it provides: 10. When driving a 4 ohm load at even half its rated power, one PS Audio BHK 300 monoblock consumes 800W—and while 10 outlets sounds like a lot, I've run out more than once.
Stereophile Staff  |  Nov 06, 2018  |  0 comments
Friday November 9, starting at 6pm, AnalogPlanet editor Michael Fremer will appear at Ovation A/V (6609 East 82nd Street, Indianapolis, IN 46250) as part of the retailer's two-day 31st Anniversary event. Mikey will be playing vinyl and files from vinyl, telling stories, and answering questions. Ovation promises big 31st Anniversary savings, free T-shirts, and a drawing for a pair of Klipsch Heritage powered loudspeakers.
Art Dudley  |  Nov 05, 2018  |  18 comments
Of the three systems I heard at CAF 2018 that had been assembled by retailer Tenacious Sound—I think there were eight in all—the one that sang through a pair of TAD ME-1 loudspeakers ($14,995/pair) was the most impressive. I requested some Richard Thompson, and my guitar-pickin' friend Lenny Mayeaux, whose day job is with manufacturer Audience AV, put on "Vincent Black Lightning." It was sonically wide-open—the system would not have wanted an atom more treble, but it was smooth and fine and inviting just as it was—and musically soul-refreshing: I almost cried. (If he had played "Beeswing," I surely would have.)
Stereophile Staff  |  Nov 05, 2018  |  0 comments
It's all happening on Thursday November 8. Ohio retailer Audible Elegance will presenting the brand-new ND555 audio streamer; Audio Visual Solutions Group/WOM in Las Vegas are presenting what they call "the finest Audio Systems in the world," featuring Naim amplification and source components and Focal loudspeakers; and Florida retailer Audio Advisors will have a special evening featuring Richard Vandersteen...
Art Dudley  |  Nov 04, 2018  |  5 comments
Listening to music in the Emia Labs room was one of those moments when I was reminded of how very little I know—that and how distressingly easy it has become for me to acclimate to different levels of audio goodness when confronted with different levels of build quality and design ingenuity. Earlier in my first day at Capital Audiofest 2018, I had heard other things I had thought were very good—and they were, in their way. But listening through the Emia system to recordings I know well—especially LP reissues from the Electric Recording Company, which co-sponsored the Emia room—was an experience far in advance of most.

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