Jadis Orchestra Black integrated amplifier Measurements

Sidebar 3: Measurements

I measured the Jadis Orchestra Black using my Audio Precision SYS2722 system (see the January 2008 "As We See It").

The Orchestra Black appears to be very similar to the Orchestra Reference Mk.II that Art Dudley reviewed in December 2015. I had various issues measuring the earlier amplifier, including a broken tube, and the fact that as the Orchestra Reference is a fixed-bias design I needed to reset the bias for each of the four new output tubes.

The output impedance was even higher than that of the Reference Mk.II, at close to 3.5 ohms across the audioband. The variation in response due to the interaction between the output impedance and that of my standard simulated loudspeaker was therefore a very audible ±1.9dB (fig.1, gray trace). The audioband response into purely resistive loads is flat to 30kHz, though it gently rolls off in the low bass. There is a steep rolloff above 40kHz, reaching –3dB at 50kHz into 8 ohms (fig.1, blue and red traces). A low-level resonant peak at 100kHz gives rise to a single damped cycle of ringing with a 10kHz squarewave (fig.2). The responses and the excellent channel balance in fig.1, which were taken with the volume control set to its maximum, didn't change at lower settings.

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Fig.1 Jadis Orchestra Black, volume control set to maximum, frequency response at 2.83V into: simulated loudspeaker load (gray), 8 ohms (left channel blue, right red), 4 ohms (left cyan, right magenta), 2 ohms (red) (2dB/vertical div.).

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Fig.2 Jadis Orchestra Black, small-signal, 10kHz squarewave into 8 ohms.

Channel separation at 1kHz was good in the L–R direction, at 80dB, but less so in the other direction, at 60dB. The wideband, unweighted signal/ noise ratio, ref. 2.83V into 8 ohms and taken with the input shorted but the volume control set to its maximum, was 67.8dB in the left channel and 70.9dB in the right channel. Both ratios increased to 85.8dB when A-weighted. Spectral analysis of the amplifier's noise floor indicated that the primary sources of noise are spuriae at the AC mains frequency of 60Hz and its harmonics (fig.3).

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Fig.3 Jadis Orchestra Black, spectrum of 1kHz sinewave, DC–1kHz, at 1W into 8 ohms (linear frequency scale).

Fig.4 plots how the percentage of THD+noise changes with output power into 8 ohms. The THD begins to rise above the noise around 2W, confirming that the Orchestra Black uses only a modest amount of negative feedback. The THD+N reaches 1% (our normal definition of clipping) at 14Wpc into 8 ohms (11.5dBW); at 3% THD+N the amplifier delivered 49W (16.9dBW). Repeating this test into 4 ohms (fig.5) indicated a slightly higher level of distortion at low powers into this load. The Orchestra Black's THD+N reached 1% at 6Wpc into 4 ohms (4.8dBW) and delivered the specified 40Wpc into this load (13dBW) at 3.8% THD+N.

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Fig.4 Jadis Orchestra Black, distortion (%) vs 1kHz continuous output power into 8 ohms.

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Fig.5 Jadis Orchestra Black, distortion (%) vs 1kHz continuous output power into 4 ohms.

Like the earlier version of the Orchestra, the Black is not happy with loads below 4 ohms. This can be seen in fig.6, which plots the THD+N percentage against frequency at 2.83V, which is equivalent to 1W into 8 ohms (blue and red traces), 2W into 4 ohms (cyan, magenta), and 4W into 2 ohms (gray). Despite the relatively low power, the Jadis's THD+N is >1% at all frequencies into 2 ohms. The distortion signature in the midrange appears to be primarily the subjectively innocuous second harmonic (figs.7 & 8), though the third harmonic dominates at low frequencies (fig.9). This is most likely due to the output transformer core starting to saturate. Intermodulation distortion was relatively low, however. The difference product at 1kHz, resulting from the Orchestra Black driving an equal mix of 19kHz and 20kHz tones at a modest power into 8 ohms (fig.10), lay at –66dB (0.05%).

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Fig.6 Jadis Orchestra Black, THD+N (%) vs frequency at 2.83V into: 8 ohms (left channel blue, right red), 4 ohms (left cyan, right magenta), 2 ohms (gray).

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Fig.7 Jadis Orchestra Black, 1kHz waveform at 1W into 8 ohms, 0.13% THD+N (top); distortion and noise waveform with fundamental notched out (bottom not to scale).

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Fig.8 Jadis Orchestra Black, spectrum of 1kHz sinewave, DC–1kHz, at 1W into 8 ohms (linear frequency scale).

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Fig.9 Jadis Orchestra Black, spectrum of 50Hz sinewave, DC–1kHz, at 2W into 8 ohms (linear frequency scale).

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Fig.10 Jadis Orchestra Black, HF intermodulation spectrum, DC–24kHz, 19+20kHz at 2W peak into 8 ohms (linear frequency scale).

The Jadis Orchestra Black performed on the test bench as I would expect from a push-pull amplifier using a single pair of EL34 output tubes per channel. It should not be partnered with loudspeakers whose impedance drops below 4 ohms.—John Atkinson

COMPANY INFO
Jadis S.A.R.L.
US distributor: Bluebird Music Ltd.
310 Rosewell Avenue
Toronto, Ontario M4R 2B2, Canada
(416)638-8207
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COMMENTS
tonykaz's picture

It's still too dam much but it's getting close to tempting!

Another exciting piece of audio literature in the form of a product review.

Nice work

Tony in Venice

ps. Can someone Pleaaaasssseee contact Art Ferris and do a review of one of his latest Modulus Pre-Amps?

mmole's picture

...We shook hands at the N.Y. Audio show last fall. Since then I’ve purchased two sets of headphones and two phonostages, that were all DOA. Either you passed your curse on to me and you are now free, or what you have is communicable. Even after the current crisis is over I think I’m going to have to practice social distancing from you.

Bogolu Haranath's picture

Orchestra Black is smiling even more than Orchestra Reference ........ See, Fig.6, in measurements :-) ........

shawnwes's picture

I'm commenting after only reading the first 3 paragraphs. That was the best intro ever to an audio review. You've always been one of my favourites but man you almost had me guffaw-ing!

windansea's picture

Loved the opening of the review.
"Dream of Gerontius" shows up in many of Art's reviews. Alas, I cannot say that I share his affection for the work.
I would have liked a bit more about the choice of tubes. Why 12AX7 rather than 12AU7 for instance? And which mark of 12AX7 and EL34s were selected by the maker?

Pretzel Logic's picture

C'mon Art, you should know that enjoyment of Pimms requires you throw some random fruit and a, uh, uh, cucumber in there with it.

Anton's picture

Great price, really, and seems like splendid performance.

Perfect for my demographic niche in this hobby.

Thanks!

Ortofan's picture

Is $4K really such a "great" price for an integrated amplifier that can only put out 14W into an 8Ω load (and only 6W into a 4Ω load) before the distortion level hits 1%? And one that lacks a built-in phono preamp and/or DAC?

The measurements beg the question as to what you are really hearing - the music or noise and distortion?

The $1,600 Denon PMA-1600NE won a Hi-Fi Choice comparison test:
https://files.hifiklubben.com/4a500a/globalassets/tester/denon/2017/pma-1600ne-hfc-group-test-verdict.pdf
https://files.hifiklubben.com/4a500a/globalassets/tester/denon/2017/hfc_427_gt_integrated_amps_reprint_denon.pdf

Of the $3K Parasound Halo HINT 6, KM said it "worked well with every speaker I threw at it" - including the DeVore O/93 - and "I can't think of another integrated amplifier that offers so many options and has such solid, generous sound."
https://www.stereophile.com/content/parasound-halo-hint-6-integrated-amplifier

Also, both of these amps include a MM/MC phono preamp and a DAC. What more do you really need?

Anton's picture

I certainly hope you are not feeling coerced to buy it.

I don't like built-in DAC or phono preamps, preferring to handle those to suit my own wants.

I have nothing against the Parasound, either. It's not a purely binary hobby, I can love more than one approach.

I hope you get a chance to do some fine measurement listening today!

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