T.H.E. Show 2019

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Jason Victor Serinus  |  Jun 12, 2019  |  16 comments
See the smiling woman in this photo with a dazed-amidst-all-these-rooms yours truly? Meet T.H.E. Show’s fabulous Director of Social Media and Marketing, Emiko Carlin, a former classical pianist and musician whose 3000 songs include some #1 pop singles. I don’t know how this dazzling woman comes across to others, but for me, discovering Ms. Carlin was like meeting an old friend.
Jason Victor Serinus  |  Jun 12, 2019  |  6 comments
Ah, mbl. This time, making music not in its usual large room, but rather in an 11-foot wide space. Mbl North America’s Jeremy Bryan had asked for a larger exhibit room, but none was available. After hearing the havoc wrought by air wall subdividers in many of the Hilton Long Beach’s conference rooms, I think Bryan is lucky to have been refused.
Jason Victor Serinus  |  Jun 12, 2019  |  2 comments
After Emiko Carlin of T.H.E. Show basically ordered me to check out AirHush’s display at T.H.E. Show, I spent a few minutes speaking with company CCO Michael Quinby.
Jason Victor Serinus  |  Jun 12, 2019  |  11 comments
It took two tries over the course of two days to find a seat, but on Sunday afternoon, I finally squeezed into the room shared by EAR and PranaFidelity. The wait was worth it.
Jason Victor Serinus  |  Jun 12, 2019  |  5 comments
To these ears, the pairing of Vandersteen Quatro loudspeakers ($15,499/pair) and the company’s smaller M5-HPA monoblocks ($15,800/pair) with the Jeff Rowland Corus Stereo preamplifier + PSU ($21,900) and Conductor phonostage ($8500) is a winner.
Jason Victor Serinus  |  Jun 12, 2019  |  3 comments
If Scott Walker Audio had staked out a mini-empire on floor 3, Sunny Components of Covina, California, did the same on floor 6. The first room I visited, of the four from Sunil Merchant, included Egglestonworks' 87dB-efficient Nico speakers ($4250/pair), ....
Jason Victor Serinus  |  Jun 12, 2019  |  1 comments
Eye candy, eh? Tune Audio’s Anima 3-way fully horn-loaded loudspeakers ($58,000/pair) claim 109dB sensitive. THEY certainly were drawing in listeners, to the extent that I had to visit twice before I could get into the room then slowly inch my way closer to the sweet spot.
Jason Victor Serinus  |  Jun 12, 2019  |  1 comments
From the metaphoric opening bell on, the Marketplace was filled with music lovers hunting for analog and digital media as well as audio products. This photo, taken at 10:30 AM on Saturday, attests to the draw. Note MA Recordings’ Todd Garfinkle on the left, hawking his superbly recorded wares, some of which are available on vinyl or for download in hi-rez.
Jason Victor Serinus  |  Jun 12, 2019  |  0 comments
By the time I reached the smallest of the three large rooms I dared visit on the 2nd floor, I was hip to the havoc their porous air walls were wreaking on the sound. So, when the combined output of four familiar components—YG Hailey 2.2 Speakers ($47,900/pair), Audio Research Ref 10 Line Stage ($33,000), MSB Select II DAC ($105,000 as shown), and Kubala-Sosna Realization / Sensation cabling—was over-saturating the space and spreading like crazy, I decided emergency intervention was called for. I asked, “Could you please turn it down?”
Jason Victor Serinus  |  Jun 12, 2019  |  0 comments
Having had components from Wilson, D’Agostino, Aqua, IsoTek, and Kubala-Sosna in my reference system, I have a good sense of their strengths.
Jason Victor Serinus  |  Jun 12, 2019  |  1 comments
I visited three large rooms on the second floor, and of which suffered from the same serious problem: soft convention-type moveable air walls whose porous surfaces and interior reek havoc with soundwaves and let sound bleed between rooms.
Jason Victor Serinus  |  Jun 11, 2019  |  2 comments
Dragon, Commander, Innamorata . . . did you ever get the feeling that Jeff Wells wants you to know that Wells Audio means business?

Not that you needed to heed the names: The sound was sufficient to let show attendees know that, as with the Esoteric/Von Schweikert system I had just heard, this system excelled in healthy, alive sound that included a fine midrange and a lively shine to the sound. I really enjoyed the sound on a track from JT Coldfire, and sat amazed that an exhibitor not only loved but also chose to play, of his own volition, Luciano Pavarotti's "Una furtiva lagrima."

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