Revinylization

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Art Dudley  |  May 20, 2020  |  8 comments
I'm not in perfect agreement with my colleagues and friends who believe that RCA's Living Stereo LPs from the late 1950s and '60s are the best-sounding commercial classical recordings ever made. To me, the Decca SXL catalog outshines them sonically, in addition to showcasing the talents of an even greater roster of artists. But that's not to say I'm immune to their charms.

The RCA catalog contains some real gems.

Art Dudley  |  Apr 30, 2020  |  16 comments
I was well over 50 when I first heard an original copy of Charlie Parker's "Ko-Ko." It was a happy accident. I received a call from the family of a well-to-do neighbor who had recently passed away, asking if I'd be interested in having his record collection. Three minutes later, I was parked near the servants' entrance of their centuries-old brick mansion—how quickly we forget our proletariat resentment when there's vinyl to be had—loading a few cartons of LPs and 78s into my car.
Art Dudley  |  Apr 09, 2020  |  2 comments
Singer/actress Nancy Priddy's sole commercial recording, a 1968 album titled You've Come This Way Before—originally issued on Dot Records and now reissued by Sundazed Music/Modern Harmonic (Dot/Modern Harmonic MH-8044)—is a period piece. The arrangements, in which strings, flutes, Herb Alpert–esque trumpets, a harpsichord, a Vox Continental organ, and New Christy Minstrel–style backing singers all appear, are somewhat dated. (Indeed, the opening bars of the title song sound like the sort of cheesy electric pop that the producers of This American Life use as incidental music, apparently to express their limitless stockpiles of irony.) And some of Priddy's lyrics make the listener thankful for her poor enunciation.
Art Dudley  |  Mar 11, 2020  |  23 comments
In the January 2020 Stereophile, I described my transformation from John Fahey skeptic to John Fahey fan; suffice it to say, the late guitarist was far from the only musical artist whose work I came to enjoy only after a number of failed attempts. Another was the English band Yes, which I saw in concert in 1977, at New York's Madison Square Garden: I was so bored by the many lengthy instrumental solos, each one remarkable only for the sheer number of notes being squirted at me, that I literally nodded off. (In my defense, it was also very warm in there.)
Art Dudley  |  Feb 05, 2020  |  7 comments
Next to Christmas carols, Sousa marches, and the collected works of Bobby "Boris" Pickett, there's no more seasonal music than bluegrass, which comes to life at the 30 or so major outdoor festivals and scores of smaller events that take place every summer throughout the US. As I write this, on the day after Thanksgiving, 2019's bluegrass season is only a memory, and the 2020 season is more than a half a year away.
Art Dudley  |  Dec 17, 2019  |  6 comments
Think of the greatest commercial LPs made during the past 72 years: the Solti-Culshaw recording of Wagner's Der Ring des Nibelungen, Magda Tagliaferro's D'ombre et de lumiere, Ornette Coleman's The Shape of Jazz to Come, John Lennon's John Lennon/Plastic Ono Band, and a thousand or so others.
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