LATEST ADDITIONS

Jason Victor Serinus  |  Nov 26, 2020  |  2 comments
"Oh goody!" thought self, to self: "Another Gryphon component to review." As eloquent and revelatory as that statement may be, there's an even more illuminating backstory.

I had been aware of Denmark-based Gryphon Audio since the advent of the Gryphon Exorcist, a now-discontinued demagnetizer that cost far more than your average break-in CD, but I only began to encounter Gryphon electronics at audio shows a few years ago. While at first they seemed available for review only as a complete package, Jim Austin was able to arrange for me to review the Gryphon Ethos CD player–D/A processor ($39,000).

Julie Mullins  |  Nov 25, 2020  |  3 comments
Several audio shows have been canceled or postponed since the COVID-19 pandemic took hold in early 2020: Munich, AXPONA, RMAF, Montreal, and the 2021 Florida Audio Expo, among others. The next scheduled show is the Finest Audio Show, slated for January 9–10 in Zurich. The next one in the Americas is the inaugural Seattle Audio Fest, planned for July 30–August 1. AXPONA, America's biggest show, near Chicago, was recently postponed for the second time until late August. Depending on how the pandemic evolves, it's possible those shows will not be able to take place as planned, either.
John Atkinson  |  Nov 24, 2020  |  23 comments
Back in June 1994, I reviewed the Bowers & Wilkins John Bowers Silver Signature standmounted loudspeaker. This speaker cost a breathtaking $8000/pair at that time, and I subsequently bought the review samples and their matching slate stands. It was the best-sounding speaker I had used in my Santa Fe listening room: When the company's then-owner, Robert Trunz, visited me a couple of years later, he told me that he hadn't realized how good the Silver Signatures could sound. But after I moved to Brooklyn, in 2000, the Silver Signature never worked as well in my new listening room. I still own the speakers, but they currently live in our storage unit.
Jonathan Scull  |  Nov 23, 2020  |  26 comments
So, what's "this thing of ours"? I'm only half-kidding. High-end audio is deadly serious for many passionate audiophiles. Some measurement types defend their turf without thought—without mercy—and often deride subjectivists, like me, who believe if you like what you hear, then that's what counts, enjoy. Objectivists say if you can't measure it, then it doesn't exist. Well, goes the retort, you don't know what to measure, your instruments aren't refined enough, and on and on.

The struggle continues to this day for some reason, and boy-howdy is it ferocious, especially regarding cables.

Jim Austin  |  Nov 20, 2020  |  12 comments
This is Stereophile's 29th Product of the Year issue; the first appeared in 1992. That was the year I finished grad school. It seems like a long time ago.

That year, the Loudspeaker of the Year was the $14,000/pair Sonus Faber Extrema. The winning digital source was the legendary Mark Levinson No.30 DAC—also approximately $14,000. JA later bought one, upgraded to 30.5, then to 30.6 status. He still has it.

Thomas Conrad  |  Nov 19, 2020  |  0 comments
Warren Wolf: Christmas Vibes
Warren Wolf, vibraphone, piano, Fender Rhodes, wind chimes, tambourine, Logic Pro X digital audio workstation; Jeff Reed, acoustic and electric bass; Carroll "CV" Dashiell III, drums; Christie Dashiell, Allison Bordlemay, Micah Smith, vocals.
Mack Avenue MAC1183 (CD, also available as download). 2020. Warren Wolf, prod.; Jeff Gruber, eng.
Performance ****
Sonics ****

Only 12 albums a year get to be Recordings of the Month in Stereophile, and only a few are jazz.

Typically, they are "big" records by major jazz artists.

Christmas Vibes has the major-artist part covered. Warren Wolf is one of the two most important vibraphonists to enter jazz in the new millennium. (The other is Joel Ross.) Wolf's album is not a masterwork, but it is a lovely, heartfelt offering that deserves its place in this magazine's December issue. In this year of years, in this holiday season observed in a pandemic, it arrives like a life-affirming antidote to darkness.

Jim Austin  |  Nov 18, 2020  |  33 comments
In my early years of writing about audio (footnote 1), I was known—to the extent that I was known at all—as something of an objectivist. I was, after all, working as an editor at a leading science journal at the time, just a few years out from a brief career as an actual scientist, still in recovery from the physics PhD I'd earned a decade or so before.
Michael Fremer  |  Nov 17, 2020  |  69 comments
Let's begin by discussing what SAT's XD1 Record Player System is not: It is not a Technics SP-10R in a sci-fi–inspired plinth—although the XD1's engine does begin life as the SP-10R's basic drive system, which is stripped down to a handful of essential components, reimagined, reengineered, and rebuilt to much higher mechanical standards.
John Atkinson  |  Nov 16, 2020  |  First Published: Dec 01, 2020  |  4 comments
Three products are the subjects of lengthy followup reviews in the December issue of Stereophile: MBL's Noble Line N31 CD player-D/A processor, the GoldenEar BRX loudspeaker, and Alta Audio's Alyssa loudspeaker.
John Atkinson  |  Nov 14, 2020  |  19 comments
"Pints With Ayre," the series of videos produced by Colorado manufacturer Ayre Acoustics, has been regular viewing chez Atkinson during these pandemic times. Covering subjects like volume control design, amplifier gain stages, audio transformers, and listening tests, the series presents sometimes esoteric technical subjects in an easy-to-grasp manner.

In the latest episode of “Pints With Ayre,” I was invited to talk about a subject close to my heart, the how and why a review magazine’s reviews should be accompanied by measurements. You can find my current thoughts at the link in this article. I don’t think I gave too many secrets away!

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